Feb 09, 2015  RX 4’s visual editing tools make it easy to identify and remove unwanted sounds captured during the recording process. Download your free, 10-day trial: http. But with iZotope RX4 things like birds chirping, cars driving by or an overly live room can be fixed with relative ease. RX4 is, simply put, a visually based audio repair tool that allows audio engineers to clean up even the most problematic audio.

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From tire screeches to dog barks and public transit beeps, noise is a consistent fixture of the city soundscape. While these sounds tend to blend into the background of daily life, they are hard to ignore when captured by a microphone.

For this reason, noise reduction is a necessary part of making music. In a given session, we clean up hiss and rumble from home recordings, pull out clicks and pops from vocal performances, and dull pinging frequencies that poke out too far in the mix.

But we don’t always need to be so critical of noise. Since the beginning of recording history, it has been used to enhance instruments and even create new categories of music. Furthermore, too much noise reduction can strip a sound of its natural character.

To reflect this, we’ll look at the different types of noise common in audio and how to make the call to keep or remove them. While the tips will be from the perspective of music production, they are also applicable to post for film and TV.

Types of noise

There are many different kinds of noise that can disrupt music. If you can identify the type of noise it is, you will have an easier time picking an appropriate removal tool. Here are five noise categories and the RX 7 modules to remedy them.

Impulse noises are short clicks and pops that vary in frequency and loudness throughout a recording. Mouth noises fall into this category and they are almost always removed due to their distracting quality. Some artists, however, deliberately include intermittent crackle and scratches in their music for a vintage effect or as part of a glitch sequence. RX Repair Assistant makes it easy to detect and eliminate clicks (as well as clipping, noise, and more).

Our good friends at iZotope have just released RX6 Standard and RX6 Advanced. In addition, they've also added a new product to their line-up, RX Elements which replaces the RX Plugin Pack and includes the RX6 Standalone Editor application as well as the plug-ins that were included in the RX Plugin Pack. Some of the new modules in RX6 include the Breath Control Module, De-ess Module/Plug-in, Mouth De-click Module/Plug-in, and De-bleed.

What Is New In RX6?

RX6 Advanced

• De-rustle Module - This has been designed to remove distracting lavalier microphone rustle and other rustling sounds from your dialogue.
• De-wind Module - iZotope have designed this module to reduce or remove intermittent low-end wind rumble that occurs when wind effects a microphone especially when recording outside.
• Dialogue Isolate - This module extracts dialogue from noisy backgrounds whether this is a busy street, a sports event or a trade show floor.
• Plus everything new in RX6 Standard.

A number of the existing modules in the Advanced version of iZotope RX have also been improved…

• Ambience Match - They have improved the level matching of Ambience Match when outputting Ambience only
• Centre Extract - They have added Artifact Smoothing to help reduce the “musical noise artifacts and a Dry Mix control which enables you to mix in some of the unprocessed signal.
• Deconstruct - iZotope have added Artifact Smoothing to help reduce the “musical noise artifacts and Transient Gain option and control to the existing Tonal and Noisy Gain controls to the Deconstruct module to make it even more powerful.
• Plus everything updated in RX6 Standard.

RX6 Standard

iZotope have worked hard to make RX6 even more useful in music applications and so have added some new modules to the RX6 Standard version rather than just to the Advanced version to make these features affordable to more users.

• De-bleed Module - Now you can remove bleed and spill from headphones that mics can pick up. As long as you have an audio file of the source of the spill then with the De-bleed module, you can get rid of that annoying spill from the click track for example.
• De-ess Module and Plug-in - iZotope have combined their spectral repair and conventional dynamics de-essing technologies to produce a brand new module for RX6. This now gives you 2 ways to deal with sibilance either based on the RX spectral repair tool or the conventional frequency based dynamics processing, in the new De-ess module and plug-in.
• Mouth De-click Module and Plug-in - iZotope have taken their De-click technology, refined it and produced a new dedicated Mouth De-click module focusing on removing mouth clicks in vocals and dialogue.
• Breath Control Module - iZotope have brought their breath reduction technology into RX6 to produce a new module to remove or reduce distracting breaths between words and phrases in either vocals or dialogue. It will also have a place on any track where the musician has to breath, so you can use it on woodwind tracks to reduce the player’s breaths.
• MP3 Export - You can now export and batch process MP3 audio files directly from RX6 and RX6 Advanced.
• De-plosive which was only in RX5 Advanced is now included in RX6 Standard and has also been improved. In addition, this is now available as a plug-in so you don’t need to leave Pro tools to happen your plosive problems.

A number of the existing modules in the standard version of iZotope RX have also been improved…

• De-click - There is now an improved low-latency algorithm in the De-click plug-in fro real-time processing
• Find Similar - iZotope have improved the Find Similar feature in RX to make it even easier to locate and identify problem sounds like beeps, bird chirps, or clicks more quickly and accurately with the addition of Find All Similar.
• Voice De-noise (formerly Dialogue Denoise) - To reflect their increased focus on music applications iZotope has renamed the Dialogue Denoise module and it is now called the Voice De-noise module and has also undergone some improvements too for RX6 including the option to optimise for dialogue or music.

Izotope Rx 7 Review

Composite View

iZotope have added a new feature - Composite View to both RX6 Standard and RX6 Advanced. This new feature allows you to import up to 16 individual tracks and work on them in RX6 as if they were one file enabling you to address any common issues across all the files. This could be multi-misc or multiple clips from the same source. This will really help workflows in audio post production where you have a number of files all with the same issues as you can set up the processing and then apply it to up to 16 different clips in one go.

Module Menu

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The Module menu has undergone an overhaul in RX6 with clearer sections headed Repair, Utility, and Measurements with some new icons and module names and in the Utility section a number of the elements have been brought out of tabs in modules and now are accessible directly from the module menu. The new Measurement section brings all the measurement based tools into one place. I especially appreciate that the Spectrum Analyser is now back in the Module list whereas in RX5 along with Markers & Regions and Waveform Statistics you had to go up to the Window menu to access them.

Filter The Module List

With all the new module and the unbundling of some of the utility modules, iZotope have recognised that not all of us want to see all the modules in the Module menu and each of us might like to have a different combination of modules on show normally so in RX6 they have added a Filter option to the Module Menu list so you can either use some of the included presets or create you own filters so you can customise the Module list to suit you and the work you are doing.

RX Elements

This new product aimed for users on a budget who want the additional power and features in the standalone version of iZotope RX but cannot afford RX6 Standard can now take advantage of this new product. It is the same price as the RX Plugin Pack but includes the RX standalone editor application with the following modules…

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• Batch Processor
• Clip Gain
• De-click
• De-clip
• De-hum
• Fade
• Find Similar
• Gain
• Markers & Regions
• Mixing module
• Module Chain
• Module List Filters
• Normalize
• Phase
• Third party plug-in hosting
• Recording & Monitoring
• Signal Generator
• Spectrum Analyzer
• Voice De-noise
• Waveform Statistics

Owners of previous versions of RX and Post Production Suite 2 can find their upgrade coupons in their iZotope accounts.

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iZotope RX6 Pricing

• RX Elements - Normal price $129 = Introductory price $99
• RX6 Standard - Normal price $399 = Introductory price $299
• RX6 Advanced - Normal price $1199 = Introductory price $799
• PX Post Production Suite 2 - Normal price $1499 = Introductory price $999
  • This bundle includes the following...
  • RX6 Advanced
  • Neutron Advanced
  • RX Loudness Control
  • Insight Metering Suite
  • Exclusive content and tutorials worth $250

*The introductory pricing will be available until May 31st 2017. From June 1st the normal pricing will apply.

iZotope RX6 System Requirements

• Supported operating systems
  • Windows: 7, 8, and 10
  • Mac: OS X 10.8.5 - 10.12
• Supported plug-in hosts
  • Pro Tools 10-12, Audition CC 2017, Cubase 9, Final Cut Pro 10, Live 9, Logic Pro X (Supported in OS X 10.11 or higher), Media Composer 8.8, Nuendo 7, Premiere Pro CC 2017, Studio One 3
• Supported plug-in formats
  • AAX (64-bit), Audiosuite DPM, Audio Unit (32-bit and 64-bit), RTAS (32-bit), VST 2 (32-bit and 64-bit), and VST 3 (32-bit and 64-bit).